Acknowledgments
Prologue: Over the Atlantic and Down the Thames
Chapter One: Hitchcock in 1970: The Lion in Waiting
Chapter Two: Property Values: The Hitchcock Standards and the First "Frenzy"
Chapter Three: Working with Writers: Hitchcock and the Preparation of the Scenario
Chapter Four: Working with Another Sleuth: Hitchcock and Anthony Shaffer
Chapter Five: Brief Inter-title: Looking for a Lost London
Chapter Six: Cattle Calls: Ruminating over a Cast
Chapter Seven: The 13-week Production: Mornings and Afternoons on the Set
Chapter Eight: Shooting the Signature Sequences, Part I: Hitchcock as a Master of Montage
Chapter Nine: Shooting the Signature Sequences, Part II: Hitchcock as the master of Mise-en-scene and the Moving Camera
Chapter Ten: Brief Inter-title: Looking for a Lost Partner OR "Hitchcock in Love"
Chapter Eleven: Adventures in Post-production
Chapter Twelve: Releasing the Film: Creating a Frenzy around Frenzy
Chapter Thirteen: Critical Acclaim and Box-office Redemption
Chapter Fourteen: The Response from the Academy
Chapter Fifteen: Hitchcock and Women; Hitch and His Women
Chapter Sixteen: Forty Years Later
Postscript: Becoming Sir Alfred
Appendix A: Frenzy Cast and Crew
Appendix B: Frenzy Scene List
Works Cited
About the Author