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The definitive, full-career retrospective of the life and work of Chris Killip (1946-2020), one of the UKs most important and influential post-war documentary photographers.
`I didnt set out to be the photographer of the English de-Industrial Revolution. It happened all around me during the time I was photographing Chris Killip, 2019
Grounded in sustained immersion and participation in the communities he photographed, Chris Killips keenly observed work chronicled ordinary peoples lives in stark, yet sympathetic, detail. His photographs are recognized as some of the most important visual records of 1980s Britain; as editor of this book Ken Grant reflects, they tell the story of those who `had history done to them, who felt its malicious disregard and yet, like the photographer with whom they shared so much of their lives, refused to yield or look away.
Published to coincide with the first full retrospective of Killips life and work at the Photographers Gallery, London, this book, designed by Niall Sweeney & Nigel Truswell at Pony Ltd, presents photographs from each of his major series alongside lesser-known works. It includes a foreword by Brett Rogers, in-depth essays by Ken Grant tracing Killips life and career, and texts by Gregory Halpern, Amanda Maddox and Lynsey Hanley.
`I didnt set out to be the photographer of the English de-Industrial Revolution. It happened all around me during the time I was photographing Chris Killip, 2019
Grounded in sustained immersion and participation in the communities he photographed, Chris Killips keenly observed work chronicled ordinary peoples lives in stark, yet sympathetic, detail. His photographs are recognized as some of the most important visual records of 1980s Britain; as editor of this book Ken Grant reflects, they tell the story of those who `had history done to them, who felt its malicious disregard and yet, like the photographer with whom they shared so much of their lives, refused to yield or look away.
Published to coincide with the first full retrospective of Killips life and work at the Photographers Gallery, London, this book, designed by Niall Sweeney & Nigel Truswell at Pony Ltd, presents photographs from each of his major series alongside lesser-known works. It includes a foreword by Brett Rogers, in-depth essays by Ken Grant tracing Killips life and career, and texts by Gregory Halpern, Amanda Maddox and Lynsey Hanley.
The definitive, full-career retrospective of the life and work of Chris Killip (1946-2020), one of the UKs most important and influential post-war documentary photographers.
`I didnt set out to be the photographer of the English de-Industrial Revolution. It happened all around me during the time I was photographing Chris Killip, 2019
Grounded in sustained immersion and participation in the communities he photographed, Chris Killips keenly observed work chronicled ordinary peoples lives in stark, yet sympathetic, detail. His photographs are recognized as some of the most important visual records of 1980s Britain; as editor of this book Ken Grant reflects, they tell the story of those who `had history done to them, who felt its malicious disregard and yet, like the photographer with whom they shared so much of their lives, refused to yield or look away.
Published to coincide with the first full retrospective of Killips life and work at the Photographers Gallery, London, this book, designed by Niall Sweeney & Nigel Truswell at Pony Ltd, presents photographs from each of his major series alongside lesser-known works. It includes a foreword by Brett Rogers, in-depth essays by Ken Grant tracing Killips life and career, and texts by Gregory Halpern, Amanda Maddox and Lynsey Hanley.
`I didnt set out to be the photographer of the English de-Industrial Revolution. It happened all around me during the time I was photographing Chris Killip, 2019
Grounded in sustained immersion and participation in the communities he photographed, Chris Killips keenly observed work chronicled ordinary peoples lives in stark, yet sympathetic, detail. His photographs are recognized as some of the most important visual records of 1980s Britain; as editor of this book Ken Grant reflects, they tell the story of those who `had history done to them, who felt its malicious disregard and yet, like the photographer with whom they shared so much of their lives, refused to yield or look away.
Published to coincide with the first full retrospective of Killips life and work at the Photographers Gallery, London, this book, designed by Niall Sweeney & Nigel Truswell at Pony Ltd, presents photographs from each of his major series alongside lesser-known works. It includes a foreword by Brett Rogers, in-depth essays by Ken Grant tracing Killips life and career, and texts by Gregory Halpern, Amanda Maddox and Lynsey Hanley.
Über den Autor
Ken Grant is a photographer, curator and educator. He is a lecturer on the MFA Photography course at the University of Ulster. Tracy Marshall-Grant is Director of Development at the Royal Photographic Society and Producer at Northern Narratives.
Inhaltsverzeichnis
Foreword by Brett Rogers, Director of the Photographers Gallery
1. Essay by Ken Grant covering: Isle of Man Graveyard of the Ships / Early years / The Manx Peasant culture / The Sea / London-New York/ The Isle of Man Book
Folio Section 1: Isle of Man TT Racers Huddersfield
2. Essay by Ken Grant covering: Huddersfield, Travels of England, the North, Amber-Side Gallery, Seacoal, Askam and Skinningrove
Folio Section 2: Askam Skinningrove Seacoal The Station folio
Folio Section 3: Here Comes Everybody
Folio Section 4: Pirelli Factory
3. Essay by Ken Grant covering: The Page and the Wall: Another Country, The Miner's Strike, The Politics of Photography, The Station, In Flagrante, British Photography from the Thatcher Years (MoMA Exhibition)
Folio Section 4: North East Photographs 2
4. Essay by Ken Grant covering: Chris Killip in America, Chris Killip in Ireland (Here Comes Everybody), Storytellers, Writer, Steidl books, Zines, Cafe Royal Books (The Seaside), The Portrait, Pirelli, Shipbuilding, Revisiting the Region, The Photography of Deindustrialisation, The Last Ships, Finish
1. Essay by Ken Grant covering: Isle of Man Graveyard of the Ships / Early years / The Manx Peasant culture / The Sea / London-New York/ The Isle of Man Book
Folio Section 1: Isle of Man TT Racers Huddersfield
2. Essay by Ken Grant covering: Huddersfield, Travels of England, the North, Amber-Side Gallery, Seacoal, Askam and Skinningrove
Folio Section 2: Askam Skinningrove Seacoal The Station folio
Folio Section 3: Here Comes Everybody
Folio Section 4: Pirelli Factory
3. Essay by Ken Grant covering: The Page and the Wall: Another Country, The Miner's Strike, The Politics of Photography, The Station, In Flagrante, British Photography from the Thatcher Years (MoMA Exhibition)
Folio Section 4: North East Photographs 2
4. Essay by Ken Grant covering: Chris Killip in America, Chris Killip in Ireland (Here Comes Everybody), Storytellers, Writer, Steidl books, Zines, Cafe Royal Books (The Seaside), The Portrait, Pirelli, Shipbuilding, Revisiting the Region, The Photography of Deindustrialisation, The Last Ships, Finish
Details
| Erscheinungsjahr: | 2023 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Buch |
| Inhalt: | Gebunden |
| ISBN-13: | 9780500025581 |
| ISBN-10: | 0500025584 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Redaktion: |
Grant, Ken
Marshall, Tracy Marshall-Grant, Tracy |
| Hersteller: | Thames & Hudson Ltd |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 312 x 249 x 28 mm |
| Von/Mit: | Ken Grant (u. a.) |
| Erscheinungsdatum: | 07.02.2023 |
| Gewicht: | 2,056 kg |