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Beschreibung
Marcel Duchamp was not enigmatic.
He articulated his theoretical understanding of art with utmost clarity, and maintained this position consistently for more than half a century.
At its core, he believed that the spectator gives meaning to the artwork, while the artist is merely a 'mediumistic being', not cognizant of what his intuition brings forth. Significance is a societal yield. Authorship, accordingly, resides in reception.
The Arsenale Institute's project takes this concept seriously, transforming the way Duchamp's uvre and legacy are understood.
This volume is published on the occasion of the exhibition 'D is for Duchamp the Deep Dyed Deceiver' at the Arsenale Institute for Politics of Representation | Venice, May 9 - November 22, 2026.
He articulated his theoretical understanding of art with utmost clarity, and maintained this position consistently for more than half a century.
At its core, he believed that the spectator gives meaning to the artwork, while the artist is merely a 'mediumistic being', not cognizant of what his intuition brings forth. Significance is a societal yield. Authorship, accordingly, resides in reception.
The Arsenale Institute's project takes this concept seriously, transforming the way Duchamp's uvre and legacy are understood.
This volume is published on the occasion of the exhibition 'D is for Duchamp the Deep Dyed Deceiver' at the Arsenale Institute for Politics of Representation | Venice, May 9 - November 22, 2026.
Marcel Duchamp was not enigmatic.
He articulated his theoretical understanding of art with utmost clarity, and maintained this position consistently for more than half a century.
At its core, he believed that the spectator gives meaning to the artwork, while the artist is merely a 'mediumistic being', not cognizant of what his intuition brings forth. Significance is a societal yield. Authorship, accordingly, resides in reception.
The Arsenale Institute's project takes this concept seriously, transforming the way Duchamp's uvre and legacy are understood.
This volume is published on the occasion of the exhibition 'D is for Duchamp the Deep Dyed Deceiver' at the Arsenale Institute for Politics of Representation | Venice, May 9 - November 22, 2026.
He articulated his theoretical understanding of art with utmost clarity, and maintained this position consistently for more than half a century.
At its core, he believed that the spectator gives meaning to the artwork, while the artist is merely a 'mediumistic being', not cognizant of what his intuition brings forth. Significance is a societal yield. Authorship, accordingly, resides in reception.
The Arsenale Institute's project takes this concept seriously, transforming the way Duchamp's uvre and legacy are understood.
This volume is published on the occasion of the exhibition 'D is for Duchamp the Deep Dyed Deceiver' at the Arsenale Institute for Politics of Representation | Venice, May 9 - November 22, 2026.
Inhaltsverzeichnis
Prolegomena
I. Duchamp's self-reflection
II. Six decades of reception
1910s
1920s
1930s
1940s
1950s
1960s
III. Exempla
Categories of reception
I. Duchamp's self-reflection
II. Six decades of reception
1910s
1920s
1930s
1940s
1950s
1960s
III. Exempla
Categories of reception
Details
| Medium: | Taschenbuch |
|---|---|
| Reihe: | IMD |
| Inhalt: | 240 S. |
| ISBN-13: | 9783962731014 |
| ISBN-10: | 3962731016 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Wismeth, Zoë/di Battista, Elena/Glader, Max et al |
| Redaktion: | Scheppe, Wolfgang |
| Herausgeber: | Wolfgang Scheppe |
| Hersteller: | Merve Verlag GmbH |
| Verantwortliche Person für die EU: | Merve Verlag, Tom Lamberty, Kolonnadenstr. 5, D-04109 Leipzig, merve@merve.de |
| Abbildungen: | 39 schwarz-weiß Abbildungen |
| Maße: | 163 x 119 x 20 mm |
| Von/Mit: | Wolfgang Scheppe |
| Erscheinungsdatum: | 01.05.2026 |
| Gewicht: | 0,19 kg |