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How contemporary artist Glenn Ligon’s expansive body of work mines American history and literature to ask critical questions about modern culture.
OCTOBER Files: Glenn Ligon presents the first compilation of critical discourse on the multimedia work of one of the most influential American artists of the late twentieth and early twenty-first centuries. Often citing or annotating past literary (e.g., James Baldwin), artistic (e.g., Andy Warhol), and musical (e.g., Steve Reich) interventions, Ligon’s practice imaginatively explores the contradictions of speech, vision, authorship, identity, blackness, and belonging in works that are at once historically resonant and materially sensuous.
Spanning Ligon’s emergence in the postmodern multicultural milieu of New York in the late 1980s and early ‘90s, his starring turns at Documenta, the Venice Biennale, and other international exhibitions of the 2000–2010s, and his formative impact on both new and canonical art histories, this volume provides a comprehensive accounting of the questions central to his work in painting, sculpture, video, installation, and print. With texts by writers from Wayne Koestenbaum to Rizvana Bradley, this File not only plumbs the depths of Ligon’s oeuvre but also models the various approaches to critical writing that have defined art and culture of the past 30 years.
OCTOBER Files: Glenn Ligon presents the first compilation of critical discourse on the multimedia work of one of the most influential American artists of the late twentieth and early twenty-first centuries. Often citing or annotating past literary (e.g., James Baldwin), artistic (e.g., Andy Warhol), and musical (e.g., Steve Reich) interventions, Ligon’s practice imaginatively explores the contradictions of speech, vision, authorship, identity, blackness, and belonging in works that are at once historically resonant and materially sensuous.
Spanning Ligon’s emergence in the postmodern multicultural milieu of New York in the late 1980s and early ‘90s, his starring turns at Documenta, the Venice Biennale, and other international exhibitions of the 2000–2010s, and his formative impact on both new and canonical art histories, this volume provides a comprehensive accounting of the questions central to his work in painting, sculpture, video, installation, and print. With texts by writers from Wayne Koestenbaum to Rizvana Bradley, this File not only plumbs the depths of Ligon’s oeuvre but also models the various approaches to critical writing that have defined art and culture of the past 30 years.
How contemporary artist Glenn Ligon’s expansive body of work mines American history and literature to ask critical questions about modern culture.
OCTOBER Files: Glenn Ligon presents the first compilation of critical discourse on the multimedia work of one of the most influential American artists of the late twentieth and early twenty-first centuries. Often citing or annotating past literary (e.g., James Baldwin), artistic (e.g., Andy Warhol), and musical (e.g., Steve Reich) interventions, Ligon’s practice imaginatively explores the contradictions of speech, vision, authorship, identity, blackness, and belonging in works that are at once historically resonant and materially sensuous.
Spanning Ligon’s emergence in the postmodern multicultural milieu of New York in the late 1980s and early ‘90s, his starring turns at Documenta, the Venice Biennale, and other international exhibitions of the 2000–2010s, and his formative impact on both new and canonical art histories, this volume provides a comprehensive accounting of the questions central to his work in painting, sculpture, video, installation, and print. With texts by writers from Wayne Koestenbaum to Rizvana Bradley, this File not only plumbs the depths of Ligon’s oeuvre but also models the various approaches to critical writing that have defined art and culture of the past 30 years.
OCTOBER Files: Glenn Ligon presents the first compilation of critical discourse on the multimedia work of one of the most influential American artists of the late twentieth and early twenty-first centuries. Often citing or annotating past literary (e.g., James Baldwin), artistic (e.g., Andy Warhol), and musical (e.g., Steve Reich) interventions, Ligon’s practice imaginatively explores the contradictions of speech, vision, authorship, identity, blackness, and belonging in works that are at once historically resonant and materially sensuous.
Spanning Ligon’s emergence in the postmodern multicultural milieu of New York in the late 1980s and early ‘90s, his starring turns at Documenta, the Venice Biennale, and other international exhibitions of the 2000–2010s, and his formative impact on both new and canonical art histories, this volume provides a comprehensive accounting of the questions central to his work in painting, sculpture, video, installation, and print. With texts by writers from Wayne Koestenbaum to Rizvana Bradley, this File not only plumbs the depths of Ligon’s oeuvre but also models the various approaches to critical writing that have defined art and culture of the past 30 years.
Über den Autor
edited by Huey Copeland
Inhaltsverzeichnis
Series Preface
Acknowledgments
Contributors
Richard Meyer Borrowed Voices: Glenn Ligon and the Force of Language
Wayne Koestenbaum Color Me Glenn
Darby English Glenn Ligon: Committed to Difficulty
Mignon Nixon On the Couch
Huey Copeland Glenn Ligon and other Runaway Subjects
Hilton Als Strangers in the Village
Lauren DeLand Black Skin, Black Masks: The Citational Self in the Work of Glenn Ligon
Krista Thompson ‘Negro Sunshine’: Figuring Blackness in the Neon Art of Glenn Ligon
Janet Kraynak How to Hear What Is Not Heard: Glenn Ligon, Steve Reich, and the Audible Past
Helen Molesworth What’s Black and White and Red All Over?
Hamed Yousefi The Race of Appropriation: Blackness, Authorship, and Ligon on Mapplethorpe
Rizvana Bradley The Death-Work of Cinema (excerpt from “The Black Residuum, or That Which Remains”)
Thomas Lax Our Glenn
Index of Names
Acknowledgments
Contributors
Richard Meyer Borrowed Voices: Glenn Ligon and the Force of Language
Wayne Koestenbaum Color Me Glenn
Darby English Glenn Ligon: Committed to Difficulty
Mignon Nixon On the Couch
Huey Copeland Glenn Ligon and other Runaway Subjects
Hilton Als Strangers in the Village
Lauren DeLand Black Skin, Black Masks: The Citational Self in the Work of Glenn Ligon
Krista Thompson ‘Negro Sunshine’: Figuring Blackness in the Neon Art of Glenn Ligon
Janet Kraynak How to Hear What Is Not Heard: Glenn Ligon, Steve Reich, and the Audible Past
Helen Molesworth What’s Black and White and Red All Over?
Hamed Yousefi The Race of Appropriation: Blackness, Authorship, and Ligon on Mapplethorpe
Rizvana Bradley The Death-Work of Cinema (excerpt from “The Black Residuum, or That Which Remains”)
Thomas Lax Our Glenn
Index of Names
Details
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780262052627 |
| ISBN-10: | 0262052628 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Copeland, Huey |
| Hersteller: | The MIT Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Abbildungen: | 68 b&w ILLS. |
| Maße: | 228 x 150 x 20 mm |
| Von/Mit: | Huey Copeland |
| Erscheinungsdatum: | 28.04.2026 |
| Gewicht: | 0,413 kg |