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Beschreibung
The Théâtre du Grand-Guignol in Paris (1897 - 1962) achieved a legendary reputation as the 'Theatre of Horror' a venue displaying such explicit violence and blood-curdling terror that a resident doctor was employed to treat the numerous spectators who fainted each night. Indeed, the phrase 'grand guignol' has entered the language to describe any display of sensational horror.
Since the theatre closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance. It gives full consideration to practical applications and to the challenges presented to the actor and director.
The book also includes outstanding new translations by the authors of ten Grand-Guignol plays, none of which have been previously available in English. The presentation of these plays in English for the first time is an implicit demand for a total reappraisal of the grand-guignol genre, not least for the unexpected inclusion of two very funny comedies.
The Théâtre du Grand-Guignol in Paris (1897 - 1962) achieved a legendary reputation as the 'Theatre of Horror' a venue displaying such explicit violence and blood-curdling terror that a resident doctor was employed to treat the numerous spectators who fainted each night. Indeed, the phrase 'grand guignol' has entered the language to describe any display of sensational horror.
Since the theatre closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance. It gives full consideration to practical applications and to the challenges presented to the actor and director.
The book also includes outstanding new translations by the authors of ten Grand-Guignol plays, none of which have been previously available in English. The presentation of these plays in English for the first time is an implicit demand for a total reappraisal of the grand-guignol genre, not least for the unexpected inclusion of two very funny comedies.
Über den Autor
Mike Wilson is Professor of Drama at Loughborough University. He is author of Performance and Practice: Oral Narrative Traditions among Teenagers in Britain and Ireland Richard Hand is Professor of Media Practice and Head of Media, Film and TV Studies at University of East Anglia. He is also assistant editor and translator of Naturalism and Symbolism in European Theatre, 1850 - 1918
Details
Erscheinungsjahr: 2002
Genre: Importe, Romane & Erzählungen
Rubrik: Belletristik
Medium: Taschenbuch
Reihe: Exeter Performance Studies
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780859896962
ISBN-10: 085989696X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Hand, Richard J.
Wilson, Michael
Redaktion: Wilson, Michael
Hersteller: University of Exeter Press
Exeter Performance Studies
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 16 mm
Von/Mit: Richard J. Hand (u. a.)
Erscheinungsdatum: 02.08.2002
Gewicht: 0,445 kg
Artikel-ID: 102856102