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Beschreibung

How writers, artists, and curators are taking creative new approaches to the discipline of natural history

Offering a fresh perspective on the Latin American climate crisis through the lens of natural history and its institutions, Imagining a New Natural History presents essays that analyze how books, artworks, and contemporary museum practices reconceive approaches to the discipline that cast humans and nature as separate entities. The creative works examined in this volume feature real and fictional archaeologists, museum curators, botanists, and taxidermists and explore subjects such as the catalog, the cabinet of curiosities, and the exhibition.

The contributors to this volume include leading scholars within Latin American studies and the environmental humanities, and the materials they study span diverse media, geographies, historical periods, and linguistic traditions, including Indigenous and Latinx cultural productions. They show how Latin American writers, artists, and critics provide a way of reckoning with the realities of climate change and the Anthropocene, as well as with the conceptual and aesthetic challenges that such realities pose to them. Through the perspectives of these artistic and literary practices, the natural history collections of anthropological museums, herbaria, and laboratories become explorations into the current climate predicament.

Contributors: Gabriel Giorgi Gisela Heffes Nicolás Campisi Antonio Gómez Carlos Fonseca Florencia Garramuño Ignacio Veraguas Caripan Valeria Meiller Luciana Martins Jerónimo Duarte-Riascos Ignacio Pastén López Florencia Malbrán Joanna Page Lucas Mertehikian Matylda Figlerowicz Nathaniel Wolfson Emily Hind

How writers, artists, and curators are taking creative new approaches to the discipline of natural history

Offering a fresh perspective on the Latin American climate crisis through the lens of natural history and its institutions, Imagining a New Natural History presents essays that analyze how books, artworks, and contemporary museum practices reconceive approaches to the discipline that cast humans and nature as separate entities. The creative works examined in this volume feature real and fictional archaeologists, museum curators, botanists, and taxidermists and explore subjects such as the catalog, the cabinet of curiosities, and the exhibition.

The contributors to this volume include leading scholars within Latin American studies and the environmental humanities, and the materials they study span diverse media, geographies, historical periods, and linguistic traditions, including Indigenous and Latinx cultural productions. They show how Latin American writers, artists, and critics provide a way of reckoning with the realities of climate change and the Anthropocene, as well as with the conceptual and aesthetic challenges that such realities pose to them. Through the perspectives of these artistic and literary practices, the natural history collections of anthropological museums, herbaria, and laboratories become explorations into the current climate predicament.

Contributors: Gabriel Giorgi Gisela Heffes Nicolás Campisi Antonio Gómez Carlos Fonseca Florencia Garramuño Ignacio Veraguas Caripan Valeria Meiller Luciana Martins Jerónimo Duarte-Riascos Ignacio Pastén López Florencia Malbrán Joanna Page Lucas Mertehikian Matylda Figlerowicz Nathaniel Wolfson Emily Hind

Über den Autor
Nicolás Campisi, assistant professor in the Department of Spanish and Portuguese at Georgetown University, is the author of The Return of the Contemporary: The Latin American Novel in the End Times.

Lucas Mertehikian is director of the Humanities Institute at the New York Botanical Garden.
Inhaltsverzeichnis

List of Figures

Acknowledgments

Introduction: The New Natural History

Nicolás Campisi and Lucas Mertehikian

Part I. The Institutions of Natural History

1. The Museum of Modernity: Photographic Archive, Patrimonial Collection, and Selk’nam Genocide

Ignacio Pastén López and Ignacio Veraguas Caripan

2. Árbol Ramón, the Axolotl/Ajolote, and LEGOs: Mexico City’s Papalote Children’s Museum

Emily Hind

3. A Contemporary Cabinet of Curiosities: Play, Improbability, and the Reinvention of the World in Liliana Porter’s El hombre con el hacha y otras situaciones breves

Jerónimo Duarte-Riascos

Part II. Natural History and Ancestral Knowledge

4. Reactivating Richard Spruce’s Amazonian Biocultural Archive

Luciana Martins

5. Poetics of an Expanded Humanity

Florencia Garramuño

6. Telling Natural Histories in Crispín Amador Ramírez’s El infierno del paraíso and Kali Fajardo-Anstine’s Woman of Light

Matylda Figlerowicz

Part III. Ecocriticism, New Materialism, Posthumanism

7. The Necrospace of the Anthropocene: An Anachronistic Archive

Gisela Heffes

8. The Ecological Novel: Unearthing a Latin American Land Archive

Carlos Fonseca

9. Disorder of Time in the Anticolonial Museum

Gabriel Giorgi

10. Emilio Renart’s New Sense of Space

Florencia Malbrán

Part IV. Human and Nonhuman Histories

11. Exhibitions in the Face of the Climate Crisis: How Is the Anthropocene Shaping Hemispheric Aesthetics?

Valeria Meiller

12. The Act of Collecting in Latin American Documentary

Antonio Gómez

13. Marias and Joões: Naming in Maria Esther Maciel’s Poetic Encyclopedias

Nathaniel Wolfson

Afterword 267

Joanna Page

List of Contributors 273

Index 277

Details
Erscheinungsjahr: 2026
Genre: Importe, Lyrik & Dramatik
Rubrik: Belletristik
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781683405696
ISBN-10: 1683405692
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Nicolás Campisi
Lucas Mertehikian
Redaktion: Campisi, Nicolás
Mertehikian, Lucas
Hersteller: University of Florida Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 18 mm
Von/Mit: Nicolás Campisi (u. a.)
Erscheinungsdatum: 03.02.2026
Gewicht: 0,514 kg
Artikel-ID: 134531984

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