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Dark-haired 60s cult pop icon Pamela Tiffin debuted in Summer and Smoke (1961) and was a scene-stealing comedienne opposite James Cagney in Billy Wilder's One, Two, Three (1961) before becoming the queen of teenage drive-in movies in State Fair (1963), Come Fly with Me (1963), For Those Who Think Young (1964), The Lively Set (1964) and The Pleasure Seekers (1964).
After landing a sexy adult role opposite Paul Newman in Harper (1966), she went blonde and ran away to Italy to star in such films as Kiss the Other Sheik (1968), The Fifth Cord (1971) and Deaf Smith & Johnny Ears (1973). This thoroughly researched career retrospective pays tribute to the talented Tiffin, hailed by Cagney for her "remarkable flair for comedy," and addresses why she did not achieve superstardom. Interviews with co-stars, including Franco Nero, and film historians offer a behind-the-scenes look at her most popular films.
After landing a sexy adult role opposite Paul Newman in Harper (1966), she went blonde and ran away to Italy to star in such films as Kiss the Other Sheik (1968), The Fifth Cord (1971) and Deaf Smith & Johnny Ears (1973). This thoroughly researched career retrospective pays tribute to the talented Tiffin, hailed by Cagney for her "remarkable flair for comedy," and addresses why she did not achieve superstardom. Interviews with co-stars, including Franco Nero, and film historians offer a behind-the-scenes look at her most popular films.
Dark-haired 60s cult pop icon Pamela Tiffin debuted in Summer and Smoke (1961) and was a scene-stealing comedienne opposite James Cagney in Billy Wilder's One, Two, Three (1961) before becoming the queen of teenage drive-in movies in State Fair (1963), Come Fly with Me (1963), For Those Who Think Young (1964), The Lively Set (1964) and The Pleasure Seekers (1964).
After landing a sexy adult role opposite Paul Newman in Harper (1966), she went blonde and ran away to Italy to star in such films as Kiss the Other Sheik (1968), The Fifth Cord (1971) and Deaf Smith & Johnny Ears (1973). This thoroughly researched career retrospective pays tribute to the talented Tiffin, hailed by Cagney for her "remarkable flair for comedy," and addresses why she did not achieve superstardom. Interviews with co-stars, including Franco Nero, and film historians offer a behind-the-scenes look at her most popular films.
After landing a sexy adult role opposite Paul Newman in Harper (1966), she went blonde and ran away to Italy to star in such films as Kiss the Other Sheik (1968), The Fifth Cord (1971) and Deaf Smith & Johnny Ears (1973). This thoroughly researched career retrospective pays tribute to the talented Tiffin, hailed by Cagney for her "remarkable flair for comedy," and addresses why she did not achieve superstardom. Interviews with co-stars, including Franco Nero, and film historians offer a behind-the-scenes look at her most popular films.
Über den Autor
Tom Lisanti is the award-winning author of multiple books about film history, and he blogs at [...] He lives in New York.
Inhaltsverzeichnis
Table of Contents
Acknowledgments
Preface
[...] the Beginning
2.A Career Is Launched
delete deleteSummer and Smoke
[...], She's a Star
delete deleteOne, Two, Three
[...]'s a Grand Night for Singing ... Well, Maybe
delete deleteState Fair
5.Soaring Into the Wild Blue Yonder
delete deleteCome Fly with Me
[...], Films Is Where She'd Rather Stay
delete deleteThe Fugitive (TV), Three on an Island (TV pilot)
[...] Those Who Think Pamela
delete deleteFor Those Who Think Young
[...] Your Engines
delete deleteThe Lively Set
[...]'s a Starlet-Eat-Starlet World
delete deleteThe Pleasure Seekers
[...]'s Pamela?
delete deleteThe Hallelujah Trail
11.Jiggling the Diving Board
delete deleteHarper
12.Blondes Do Have More
delete deleteOggi, domani, dopodomani Delitto quasi perfecto (The Almost Perfect Murder)
13.Broadway Baby
delete deleteDinner at Eight (stage play)
14.Marcello Mastroianni: Take
delete deleteKiss the Other Sheik
15.Arrivederci, Hollywood!
16.Pamela, Italian Style
delete deleteI Protagonisti (The Protagonists); Straziami, ma di baci saziami (Kill Me with Kisses); L'Archangelo (The Archangel)
[...] This Corner ... Lana Turner
delete deleteThe Survivors (TV)
[...] in the U.S.A.
delete deleteViva Max; Uncle Vanya (stage play)
[...] Godfather It Ain't
delete deleteCosi di Cosa Nostra (The Godson)
20.Pamela Bares Some Skin
delete deleteIl vichingo venuto dal Sud (The Blonde in the Blue Movie)
21.Giallo Time
delete deleteGiornata nera per l'Ariete (The Fifth Cord)
22.Tiffin Makes Three
delete deleteLos Amigos (Deaf Smith & Johnny Ears)
23.Questo è tutto gente!
delete deleteE se per caso una mattina...; Amore mio, uccidimi! (Kill Me, My Love!); La signora è stata violentata! (The Lady Has Been Raped); Brigitte, Laura, Ursula, Monica, Raquel, Litz, Florinda, Barbara, Claudia, e Sofia le chiamo tutte ... anima mia
[...] After Moviemaking
Credits
Pamela Tiffin as Herself
Chapter Notes
Bibliography
Index
Acknowledgments
Preface
[...] the Beginning
2.A Career Is Launched
delete deleteSummer and Smoke
[...], She's a Star
delete deleteOne, Two, Three
[...]'s a Grand Night for Singing ... Well, Maybe
delete deleteState Fair
5.Soaring Into the Wild Blue Yonder
delete deleteCome Fly with Me
[...], Films Is Where She'd Rather Stay
delete deleteThe Fugitive (TV), Three on an Island (TV pilot)
[...] Those Who Think Pamela
delete deleteFor Those Who Think Young
[...] Your Engines
delete deleteThe Lively Set
[...]'s a Starlet-Eat-Starlet World
delete deleteThe Pleasure Seekers
[...]'s Pamela?
delete deleteThe Hallelujah Trail
11.Jiggling the Diving Board
delete deleteHarper
12.Blondes Do Have More
delete deleteOggi, domani, dopodomani Delitto quasi perfecto (The Almost Perfect Murder)
13.Broadway Baby
delete deleteDinner at Eight (stage play)
14.Marcello Mastroianni: Take
delete deleteKiss the Other Sheik
15.Arrivederci, Hollywood!
16.Pamela, Italian Style
delete deleteI Protagonisti (The Protagonists); Straziami, ma di baci saziami (Kill Me with Kisses); L'Archangelo (The Archangel)
[...] This Corner ... Lana Turner
delete deleteThe Survivors (TV)
[...] in the U.S.A.
delete deleteViva Max; Uncle Vanya (stage play)
[...] Godfather It Ain't
delete deleteCosi di Cosa Nostra (The Godson)
20.Pamela Bares Some Skin
delete deleteIl vichingo venuto dal Sud (The Blonde in the Blue Movie)
21.Giallo Time
delete deleteGiornata nera per l'Ariete (The Fifth Cord)
22.Tiffin Makes Three
delete deleteLos Amigos (Deaf Smith & Johnny Ears)
23.Questo è tutto gente!
delete deleteE se per caso una mattina...; Amore mio, uccidimi! (Kill Me, My Love!); La signora è stata violentata! (The Lady Has Been Raped); Brigitte, Laura, Ursula, Monica, Raquel, Litz, Florinda, Barbara, Claudia, e Sofia le chiamo tutte ... anima mia
[...] After Moviemaking
Credits
Pamela Tiffin as Herself
Chapter Notes
Bibliography
Index
Details
| Empfohlen (von): | 18 |
|---|---|
| Erscheinungsjahr: | 2015 |
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780786496617 |
| ISBN-10: | 0786496614 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Lisanti, Tom |
| Hersteller: | McFarland |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 254 x 178 x 15 mm |
| Von/Mit: | Tom Lisanti |
| Erscheinungsdatum: | 30.09.2015 |
| Gewicht: | 0,536 kg |