Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Beschreibung
Studio Thinking 3 is a new edition of a now-classic text, a research-based account of teaching and learning in high school studio arts classes. It poses a framework that identifies eight habits of mind taught in visual arts and four studio structures by which they are taught. This edition includes new material about how the framework has been used since the original study, with new perspectives from artist-teachers who currently apply the Studio Thinking Framework in their own practice. It also reviews how contemporary organizations, educators, and researchers outside the arts have utilized the framework, highlighting its flexibility to inform teaching and learning. The authors have added a new chapter on assessment to introduce the practical and thoughtful ways that teachers are using Studio Thinking to assess and evaluate students' work, working processes, and thinking in the arts.

The first edition of this bestseller was featured in The New York Times and The Boston Globe for its groundbreaking research on the positive effects of art education on student learning across the curriculum. Studio Thinking 3 will help advocates explain arts education to policymakers, support art teachers in developing and refining their teaching and assessment practices, and assist educators in other disciplines to learn from existing practices in arts education.

Book Features:

  • An explanation of "art as thinking" that unpacks and clarifies how teaching art is the process of teaching thinking.
  • An account of what Studio Thinking looks like in diverse contemporary settings.
  • Models of studio arts instruction that illuminate what educators are doing to support students' learning in the arts and why they are doing it that way.
  • A new chapter with rich examples of approaches to assessment.
  • New analyses on how studio art teachers support learner agency.
  • Updated examples from practice showing how artist-teachers are using the Studio Thinking Framework.
  • Full-color images with examples of student art.
Studio Thinking 3 is a new edition of a now-classic text, a research-based account of teaching and learning in high school studio arts classes. It poses a framework that identifies eight habits of mind taught in visual arts and four studio structures by which they are taught. This edition includes new material about how the framework has been used since the original study, with new perspectives from artist-teachers who currently apply the Studio Thinking Framework in their own practice. It also reviews how contemporary organizations, educators, and researchers outside the arts have utilized the framework, highlighting its flexibility to inform teaching and learning. The authors have added a new chapter on assessment to introduce the practical and thoughtful ways that teachers are using Studio Thinking to assess and evaluate students' work, working processes, and thinking in the arts.

The first edition of this bestseller was featured in The New York Times and The Boston Globe for its groundbreaking research on the positive effects of art education on student learning across the curriculum. Studio Thinking 3 will help advocates explain arts education to policymakers, support art teachers in developing and refining their teaching and assessment practices, and assist educators in other disciplines to learn from existing practices in arts education.

Book Features:

  • An explanation of "art as thinking" that unpacks and clarifies how teaching art is the process of teaching thinking.
  • An account of what Studio Thinking looks like in diverse contemporary settings.
  • Models of studio arts instruction that illuminate what educators are doing to support students' learning in the arts and why they are doing it that way.
  • A new chapter with rich examples of approaches to assessment.
  • New analyses on how studio art teachers support learner agency.
  • Updated examples from practice showing how artist-teachers are using the Studio Thinking Framework.
  • Full-color images with examples of student art.
Zusammenfassung
Kimberly M. Sheridan is an associate professor in the College of Education and Human Development and the College of Visual and Performing Arts at George Mason University and is co-director of the Mason Arts Research Center. Shirley Veenema is an art teacher (elementary and high school), a researcher at Project Zero from 1987-2007, and a visual artist. Ellen Winner is professor emerita of psychology at Boston College and a senior research associate at Project Zero, Harvard Graduate School of Education. Lois Hetland is professor emerita of art education at Massachusetts College of Art and Design.
Inhaltsverzeichnis
    • Contents
    • Foreword to the Third Edition by Mario R. Rossero ix
    • Foreword to the First Edition by David N. Perkins xi
    • Preface to the Third Edition xiii
    • Acknowledgments xv
    • 1. Making the Case for the Arts: Arts Education Is Not Just a Luxury 1
    The Framework of Studio Thinking 1
    Why a Frame for Studio Teaching and Learning? 2
    Conclusion 5

    Part I. Studio Classrooms: The How of Studio Teaching
    • 2. Elements of Studio Classrooms 13

    Creating a Studio Culture 13
    Focusing Thinking With Studio Assignments 15
    Teaching Through Artworks 15

    3. Studio Structures for Learning 18
    The Demonstration-Lecture 18
    Setting Tasks: African Pottery Project (Example 3.1) 19
    Illustrating Concepts: Tile Project (Example 3.2) 20
    Modeling Processes, Approaches, and Attitudes: Light and Boxes Project (Example 3.3) 21
    Students-at-Work 22
    The Critique 23
    Variations in Use of the Studio Structures 25
    A Fourth Overarching Structure: Exhibition 26
    Features of Exhibition 27
    What Can Be Learned from Exhibition 27

    Part II. Introducing the Studio Habits of Mind: A Dispositional View of What the Arts Teach
    • 4. Develop Craft: Technique, Studio Practice 31

    Technique 31
    Teaching the Theory and Practice of Color: Inventing Colors Project (Example 4.1) 31
    Studio Practice 34
    Teaching the Practice of Maintaining the Studio: Self-Portraits in Colored Pencil Project (Example 4.2) 34
    Teaching the Studio Practice of Keeping a Portfolio: Light and Boxes Project (Example 4.3) 34
    Structuring a Class to Focus on Both Technique and Studio Practice 35
    Teaching Care of the Wheel and Throwing Technique: Introducing Centering on the Wheel (Example 4.4) 35

    5. Engage and Persist: Committing and Following Through 41
    Designing in Clay: Completing the Tile Project (Example 5.1) 41
    Finishing the Process: Making Puppets Project (Example

Details
Erscheinungsjahr: 2022
Fachbereich: Didaktik/Methodik/Schulpädagogik/Fachdidaktik
Genre: Erziehung & Bildung, Importe
Rubrik: Sozialwissenschaften
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780807766507
ISBN-10: 080776650X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Sheridan, Kimberly M
Veenema, Shirley
Winner, Ellen
Hetland, Lois
Auflage: 3rd edition
Hersteller: Teachers College Press
Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, ?-4831 GR Breda, gpsr@mare-nostrum.co.uk
Maße: 277 x 215 x 10 mm
Von/Mit: Kimberly M Sheridan (u. a.)
Erscheinungsdatum: 03.06.2022
Gewicht: 0,463 kg
Artikel-ID: 120820825