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Beschreibung
For several years, Susanne Kennedy has been prominently present as a director on the German speaking stage. Her radical adaptations of canonical plays and popular films and her own creations of profoundly other counter-worlds are met with critical acclaim but also with bewilderment. To date, theatre studies has only scarcely engaged with the challenges her work poses. The present volume offers the first edited collection on Kennedy's work. The contributions highlight both older and more recent productions and address the question how Kennedy's aesthetics reanimate the theatre. They include detailed performance analyses to provide theatre scholars and critics with insights in the historical, dramaturgical, intermedial and technological aspects of Kennedy's aesthetics. An artist talk with Susanne Kennedy concludes the volume.
For several years, Susanne Kennedy has been prominently present as a director on the German speaking stage. Her radical adaptations of canonical plays and popular films and her own creations of profoundly other counter-worlds are met with critical acclaim but also with bewilderment. To date, theatre studies has only scarcely engaged with the challenges her work poses. The present volume offers the first edited collection on Kennedy's work. The contributions highlight both older and more recent productions and address the question how Kennedy's aesthetics reanimate the theatre. They include detailed performance analyses to provide theatre scholars and critics with insights in the historical, dramaturgical, intermedial and technological aspects of Kennedy's aesthetics. An artist talk with Susanne Kennedy concludes the volume.
Inhaltsverzeichnis
Inge Arteel, Silke Felber, Cornelis van der HavenSusanne Kennedy's Theatre. An IntroductionKarel Vanhaesebrouck Transactional Love: Mannerism and Pornography in Susanne Kennedy's Over DierenCornelis van der HavenThe Enforced, Rejected and Subjecting Gaze: Baroque Frontality in Kennedy's Staging of Fleißer's Fegefeuer in IngolstadtMathias MeertPuppets in a Panic Room? Observations on Gesture and Pose in Susanne Kennedy's Fegefeuer in IngolstadtInge ArteelSusanne Kennedy's Cinematic Melodrama on StageEva DöhneTheatre as an Exercise in Dying. The Hollow Body in ExhibitionSilke FelberSusanne Kennedy's Women in Trouble: Troubling (Theatrical) TimeBirgit WiensRe-interpreting the Mask: Masking and Masquerades as an Artistic Research Practice. On Recent Theatre Projects by Susanne KennedyMauricio PerussiDrei Schwestern: How to Build Moscow's Point of ViewJanine HauthalThe Loop as Transmedial Principle in Susanne Kennedy's Drei SchwesternUlrike HaßBecoming Something Else - Susanne Kennedy's Theatre of AttunementArtist talk with Susanne KennedyNotes on contributors
Details
Erscheinungsjahr: 2023
Genre: Allgemeine Lexika, Geisteswissenschaften, Kunst, Musik
Rubrik: Literaturwissenschaft
Medium: Taschenbuch
Inhalt: 219 S.
ISBN-13: 9783823385509
ISBN-10: 382338550X
Sprache: Deutsch
Herstellernummer: 18550
Ausstattung / Beilage: Großformatiges Paperback. Klappenbroschur
Einband: Paperback
Redaktion: Arteel, Inge
Felber, Silke
van der Haven, Cornelis
Herausgeber: Inge Arteel/Silke Felber/Cornelis van der Haven
Auflage: 1. Auflage
Hersteller: Narr
Verantwortliche Person für die EU: Narr Francke Attempto Verlag GmbH + Co. KG, Dischingerweg 5, D-72070 Tübingen, info@narr.de
Maße: 2 x 150 x 220 mm
Von/Mit: Inge Arteel (u. a.)
Erscheinungsdatum: 06.09.2023
Gewicht: 0,346 kg
Artikel-ID: 125975996

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