Interrupting the Machine

Theatre as a Site of Dis-Automation in the Age of AI

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Beschreibung

Saul Kemack draws on the theories of Bernard Stiegler and Kati Röttger to examine live performance as a site for practicing "dis-automation dramaturgy." Through a detailed phenomenological and intermedial study of Forced Entertainment's <i>Signal to Noise</i>, the author explores how theatrical framing can expose the logics of digitally saturated life under hyper-industrial capitalism. Rather than claiming we can wholly resist such logics, his research reveals how art creates temporary interruptions - moments of reflection and reoriented sensibility - in the algorithmic flow. Saul Kemack is a writer, researcher, and dramaturg based in South Africa.

Artikeldetails

EAN

9783689005238

Sprache

Englisch

Einband / Art

Taschenbuch

Maße

208 x 145 x 9 mm

Erscheinungsjahr

2025

Verlag / Hersteller

Tectum Verlag